- home -           - fontsize -           - next -


Robert Peake




Matins with Slippers and House Cat

Gumshoe is the sound of no sound.
The squeak of a dress shoe on linoleum rings
distinct from a sneaker on a hardwood court.
The sneak of the squeak is what matters.
I sit here in a squeaky chair, trying not to.
I position myself for zero-gravity effect.
Whole nations are attempting the same:
how to occupy the space between squeak
and no-squeak, that is the question.

My feet find their way into worn slippers.
The toes know to curl up for grip.
I pad through the house, in search of a snack,
some tea, or a book of poems. I glide.
The cat comes in to my office to question me.
She wants to know where I have hidden the dry food.
She wails as though she were starving, or mad.
I tell her that, after the French revolution, churches
were used to store grain. I spin in my chair for effect.

She is unimpressed. She only wants to know if
such an act would have brought mice to the altar.
I argue against utilitarianism. She leaves.
I have seen the sweat of nations bead on the brow
of the common worker. I have pilfered the ash cans
of Democracy, looking for butts. I have told
the priest his collar is guillotine-proof.
I have seen them in the night, rubbing chicken
blood on the rough wounds of the statues.




Robert Peake studied poetry at U.C. Berkeley and in the MFA program at Pacific University, Oregon. His poems have appeared in North American Review, Rattle, Silk Road, and others. He writes about poetry and poetics on his website, <www.robertpeake.com>.

    - home -           - fontsize -           - next -