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Sean Patrick Hill


 


Sean Patrick Hill is a freelance writer, naturalist, and teacher living in Portland, Oregon. He earned his MA in Writing from Portland State University, where he won the Burnham Graduate Award. He received a grant from Regional Arts and Culture Council and residencies from Montana Artists Refuge, Fishtrap, and the Oregon State University Trillium Project. His poems appear or are forthcoming in Exquisite Corpse, elimae, Alba, diode, In Posse Review, Willow Springs, RealPoetik, New York Quarterly, and Quarter After Eight. His blog site is theimaginedfield.blogspot.com.





Whether We Are Mended

 

            to my wife

 

Our dreams, handfuls of snow

on a stove.

 

Our childhoods in boxes

of crayon drawings

the rain leafs through.

 

Our faces a lattice

of loose threads, like roots dreaming

beyond the drains in the pot.

 

I watch you at the mirror,

penciling your eyelids, drawing

powder across your face.

 

 

 

 

Mining Town

 

Right before the heat kicks in,

the electric radiator starts knocking

like some backwater table rapper.

 

I used to think it was ghosts,

but the graves are so overgrown

they’d never get out in one piece.

 

At the Merry Widow Health Mine they say

sitting a bit underground will cure any pain.

Imagine how little death must hurt.

 

All the creeks here, I swear, run brown.

Anything can rust at this altitude.

 

Up Cataract Creek, a whole chassis was laid in state

over a waterfall. I don’t know how in hell

it made it that far up canyon.

 

Snow keeps quiet as it undermines the shafts.

Once collapsed, air pipes peer out like periscopes.

 

People keep propane tanks around like headache capsules.

 

On the shelf, a General Electric clock radio

is tangled in its own wire. It’s so old

it only remembers AM radio. It still believes

it’s not quite midnight.

 

The mercantile wall—now it’s a bar—

still wants you to USE REX FLOUR.

The hardware store has gone soft in the head.

 

The hardwood floors have held out. Funny,

everything looks better with stain.

 

The dump has a sign: Up For Grabs.

Someone spray painted: God Loves All Creatures.

But the wall wants you to believe

that REX IS KING.

 

 

 

 

 

The Elkhorn Fraternity Hall

 

The ticket booth is permanently closed,

but someone penciled directions: Ghosts upstairs.

 

On a quiet day, when the wind

has better places to be, you can hear

one loose board on the stage croon

each time you shift your boot.

 

Birds in the rafters clap.

Mourning doves. You can tell

by the way they whisper in the wings,

like a breeze over the lip

of a dirty jug.

 

Staring through windows, the mountain

says nothing.

 

The room must have felt this hollow

when diphtheria rained down on their children

like judgment, when the tongue

of the school bell stopped clapping.

 

Silver ran dry. Two men fought here

over what music the band ought to play.

The squaredancer shot the waltzer dead.

They hung him for it.

 

Up in the graveyard, yellow bells

hang their heads in disbelief.

 

When wind decides on a new direction,

the whole frame shifts its weight.

 

When doves get restless,

even their wings start to whistle.

 

The wall groans. The writing is there:

 

if your curiosity

brings you this far I’ll let you see 

               right

               this way→

 

 







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