Gale Acuff
Acuff says, "I have had poetry published in Ascent, Ohio Journal, Worcester Review, Adirondack Review, Poem, Florida Review, and many other journals. I have authored three books of poetry: Buffalo Nickel (BrickHouse, 2004), The Weight of the World (BrickHouse, 2006), and The Story of My Lives (at press). I have taught university English in the US, China, and the Palestinian West Bank."
Whole Hog
At the dinner table I'm not allowed to talk. Eat, son, my father commands, when I use my mouth for anything but food. When Mother asks what I did at school today, I look at my father, sideways, to make sure that he's got his mouth full, and say, Nothin' much. Mother asks me if I can be more specific. Yes, I say. What's spe-cif-ic mean? Go into detail, my father, who has just swallowed, tells me. Oh, I say. But I don't elaborate. Mother tries again. Tell us what you learned, she says. Uh, I say. Uh? Uh's not knowledge, Father says. He's a principal so he should know. Well, I say, the capital of Ecuador is Lima. No, wait--that's Peru. The capital of Mexico is Mexico City. The capital of Canada is Ottawa. I spear a piece of pork chop. What about other subjects, Mother asks. I look to Father again. Multiplication, I say. Ten times ten is a hundred. Twenty-five times twenty-five is, uh, I forget. If you knew something once but forget it, does that count as knowledge? Mother laughs, and I smile, but Father says, No. No, it doesn't. That's that, then. Please pass the potatoes, I say. No, Father says. You don't eat enough meat so you can't fill up on mashed potatoes. I still have half a pork chop left. It's good but if I eat too much meat I can't move my bowels the next day. I'd like some more milk, I say. No, he says. When you drink too much you get up a lot at night and I need my sleep. May I have another biscuit, I ask. No again. They'll just make you fat. May I be excused, I ask. Yes, you may, he says, when you've cleaned your plate. No dessert if you don't. What's for dessert, I ask. That's moot, he says, unless you finish your meal. What's moot mean, I ask. I thought it meant when someone can't talk. Mother laughs again. I smile again. No, Father says. It means, uh, that something has no meaning. Dessert's got meaning, I say. It means something sweet for after supper. Like cake or ice cream or pie or rice pudding. You don't get anything is what it means, Father says. Don't talk so much at the table. Your job here is to eat. Not talk. Save your mouth for important things. You can jabber away any time. I stare at my pork and see the whole hog. I wonder if he knew why he was born. To be eaten, that's why he was born, but that doesn't seem fair. Nobody asked him, I bet. Father, I say, do animals have feelings? Certainly, he says. Take you, for example. Haw haw! That's a good one on me--Father called me an animal. My face is red. I poke at my pork chop. It floats in a puddle of grease and blood. Father sops up the last of his pork juice with half a biscuit. He's cleaned his plate. It looks as if it's never been eaten on. It's as slick as the china we don't use unless we have company. It's so bright that Mother won't have to wash it. Of course, she will. That's the difference between grown-ups and kids. One of them, anyway. Father lights a Tareyton. I swiped one once to dissect it and examine its charcoal filter. Real charcoal, too. No doubt about it. Bring the ashtray here, he says. It's near enough to being excused so I go after it and by the time I return I hope that he's forgotten me enough to forget he hasn't excused me. No such luck. Thank you, son, he says. Now sit. I cut a piece of flesh and put it in my mouth and slowly chew. Mother lights a Carlton --"Lowered tar and nicotine." Smoke hangs over the table. I see pictures in it, like in the clouds. If you don't finish your supper, he warns, you'll go to bed straightaway. His last words come out in puffs, smoke for each syllable. Okay, I say. I mean, Yes, sir. I can't finish it. I want to go to my room anyway but I can't let on I want to because if he senses that then he'll think of something else for me to suffer. He'll teach me a lesson anyway so it might as well be one that's less unfair. Go to your room, he says, rubbing out his cigarette. Yes, sir, I say. Thank you, God is what I really mean. In my bedroom I read a comic book. They don't like them because they warp my mind. The comic book, I mean. Green Lantern has a power ring that he got from the Guardians of Oa, where people have green faces and big heads and blonde hair and little bodies, like me --I mean I have a little body, too. He catches a criminal in a net he's willed his power ring to make, and then leaves him for the cops in a green jail-cell --the criminal, I mean, not the coppers. I put him away when I hear Father's steps on the stairs. He stands in the doorway. I'm disappointed in you, son, he says. You don't do what I tell you. Well, sometimes I do, I say. Usually. Almost always. That's not good enough, he says. No allowance for two weeks. He turns around and goes down. That means no more comic books for a while, so I pick up Green Lantern again, look at the pictures, and pretend that there are no words in the word balloons so I'll have to make a story up and be content that way. I've got some scissors, plastic, not metal, but they serve--I cut the panels out and rearrange them so I can write my own Green Lantern story. I've just destroyed my comic book, but then I've made a new one. It doesn't make sense but neither does my life. If I look hard between one panel and the next I see what's missing. If I could draw I'd draw it. For now I'll try to write what I can't say. I have a rubber decoding ring from my corn flakes box. I turn it on myself and say, Make me Father and Father me for five minutes and that will be justice. Of course it doesn't work--that's how it does. |